For this blog post, I curated a list of my learning goals and guiding principles for incorporating Indigenous perspectives into my teaching. I created these goals and principles with my research question in mind: How can we improve cultural diversity in Arts Education, while still facilitating safe and inclusive classroom practices? Additionally, I referenced sample resources that I have used, or am planning to use in my classroom.
Indigenous Peoples are the inheritors and practitioners of cultures, relating to the community and the environment. They have distinct social, cultural, economic, and political characteristics that they have retained, separate from dominant societies that they live in. They form non-dominant groups of society, and have a historical continuity with pre-colonial and pre-settler societies. Indigenous Peoples resolve to maintain their ancestral environments.
The roles of music in culture include: for celebration, for communication, motivation, promoting movement (dance), helping us cope with challenges, relaxation, and for education purposes.
Learning Goals/Aims of Incorporating Indigenous Perspectives
To teach the truth, we have to learn the truth
Recognize the reality of Indigenous histories, cultures and perspectives, and incorporate this into the curriculum
To protect and preserve traditional Indigenous skills and cultures, empowering Indigenous peoples to participate more fully in their communities
While there is a fear of getting it wrong, or teaching something inappropriate or disrespectful, ignoring the issue is part of the problem
Do not practice culture in the classroom but teach about culture. Teach and learn alongside Indigenous peoples
Teach in authentic and respectful ways, while asking critical thinking questions/having discussions and ensuring a safe and respectful environment
Guiding Principles (What parameters or rules do I follow to develop learning activities and select music for my classroom).
Do your research, reach out and form relationships
Invite elders, Indigenous studies departments, a parent, and student services to the classroom; work with them, rather than speaking for them
Do not dress, act, or do activities that reduce a group to a stereotype
Do not misuse anything that has religious significance or cultural meaning
Do not appropriate someone else’s culture as your own, even for demonstration purposes
Avoid starting with cultural genocide and residential schools, and instead begin with how Indigenous peoples are resilient, rather than portraying them as victims first
Resources for Teaching Activities
Indigenous Perspectives on Education (Grades K-10): Arts, Drama and Music - An education library database featuring books, websites with lesson plans, curriculum resources, prints and drawings in contemporary Inuit art
All My Relations: Celebrating Canada’s Indigenous Peoples Teacher Guide by Sherryl Sewepagaham - Resource for lessons and activities (grades 4-12), includes sheet music, history on Métis People of Canada, residential schools, poetry analysis for “I Lost My Talk” and “I Cried Dry Tears”, vocal improvisation, and sheet music for “Music Alive”
Teacher Resource Guide on Listening and Creating by Sherryl Sewepagaham (Cree-Dene) and Nicole Schutz (Métis) - Features lesson plans on digital vs. natural sounds, composition, storytelling in Michif
Listen Up, Canada! Teacher Guide by R. Murray Schafer - National Arts Centre Guide that features lesson plans, guided listening, additional information and resources
"Loons" by Jim Oskineegish
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Hi Lilac, you provided some fantastic learning goals and guiding principles. Thank you so much for linking to such amazing Indigenous resources! I spent the past hour exploring the resources on the National Arts Centre website that you linked to, and I am so happy that teachers’ calls for more authentic Indigenous resources have been answered so that teachers don’t need to spend ludicrous amounts of time researching and preparing good lessons. I hope that as more resources are disseminated, it will become easier to integrate Indigenous content into our teaching. I particularly love the “All My Relations” resource, and I’m excited to incorporate the Music Alive song and rhythm activities, vocal improvisations, and the guide for writing a rap…